AP Literature - (12th grade) (Period 4) Assignments
- Instructor
- Ms. Larissa Green
- Term
- 2018-2019 School Year
- Department
- English
- Description
-
Upcoming Assignments
No upcoming assignments.
Past Assignments
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Final Paper - Social Concerns (Modern Era) Begin to prepare for your final paper now. By this Friday, you should have selected (and be reading) the homework novels that will help you complete this project. You may have already read one of these novels this year. Other novels with modern concerns may be appropriate for this paper. See me if you have questions or an argument for the inclusion of a particular novel.
Your final unit - on your syllabus: Modern Era: Social Concerns Students choose two novels to read and study from the following list of possible titles (other books with social concerns may be acceptable - like North and South by Elizabeth Gaskell (industrialization)): Alias Grace, All the King’s Men, All the Pretty Horses, Angle of Repose, Animal Dreams, Atonement, Awakening, Beloved, Brave New World, Catch 22, Einstein’s Dreams, Ethan Frome, Frankenstein, The Grapes of Wrath, The Great Gatsby, Grendel, The Handmaid’s Tale, The Kite Runner, Lord of the Flies, Montana 1948/Justice, 1984, Obasan, Player Piano, The Poisonwood Bible, A Prayer for Owen Meany, Snow Falling on Cedars, Stones from the River, Their Eyes Were Watching God You may have already read one of these novels earlier this year for homework, which is acceptable. You can use your reading logs in lieu of a separate dialectical journal to assist you with locating references for your paper. At least one of the novels should be new to you, so keep a dialectical journal as you read it (or read it for homework with reading logs if time allows). If you have not read any books from this list (or similarly themed AP novels), you will need to read two novels that focus on social concerns for the final paper. You cannot write the paper on two books that you already read. Even if they both focused on social concerns, it does not expand your literary repertoire to just 'review' two novels. Focus your reading to find evidence for this paper's theme. Prompt: Write a formal literary paper in MLA format. Students will take the two novels they read, and using their reading logs on that novel and/or the material generated in their journals, write an analytical, argumentative essay that attempts to persuade its reader that each novel is making a specific socio-historical commentary on an issue of social concern.
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The essay will be developed through multiple drafts. In the opening paragraph of the essay, students will state a clear thesis and argue for specific ways that each novel reflects the social concern detected and articulated in its writing. Clearly define the social concern after the intro. In the body, use clear evidence from the texts to support your arguments, transition between the texts, and make sure the essay is cohesive. It should not be two pages about the first novel, followed by two pages about the second novel, and then a page of concluding thoughts and summation. In this 5-7 page paper, the social issues, historical context, and the evidence of both novels should be interwoven. It is okay to focus paragraphs one certain novels, but make sure to transition between paragraphs to lead from one to the other. See your Clean College Writing print out if you are unsure about transitions. As noted below, bring in some other research about the social concern(s) you are analyzing that either clarify and define the importance of the concern(s) or integrate sources that lend themselves to more fully explaining the historical context of the novels. Use additional print and electronic resources to assist you in the formation of this paper. These resources should help you clarify the social concern(s) in your paper. If you are unsure about the validity of an electronic resource, you may review R28 in our textbook or check with me if you are still unsure. Make sure all sources appear on your Works Cited page. Do NOT wait until the last minute to do this. Due today does not mean 'do today'. The final draft will be part of your final in my class. The test period itself will have an academic vocabulary test as a refresher for your college-level literary terms.
CCRA.R.10 CCRA.W.8 Gather relevant information from multiple print and digital sources, assess the credibility and accuracy of each source, and integrate the information while avoiding plagiarism.
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Due:
Assignment
Modern Era: Social Concern paper
Draft due in class Wednesday
Use this time to peer read each other's papers and get feedback.
Checklist:
- Is the social concern theme clearly defined after the introductory paragraph of the paper? It should be in the paragraph after the intro before you start your specific analysis of the novels.
- The intro paragraph must include the titles (in italics), authors, text types, and social concern theme
- Is the social concern clearly identified in both novels?
- Does the evidence illustrate the social concern?
- Does the analysis of the evidence fully explain the issues and tie together both novels?
- Is the explanation & analysis of the social concern convincingly based on logos (reasoning) or does it rely heavily on pathos (emotions) or ethos (ethical/moral appeal)?
- Your reasoning and evidence of this social concern should be stated primarily in logos to convince your audience that the issue you selected in these novels is valid and worthy of literary discussion. It is primarily an informative paper.
Structure:
- MLA format
- Double spaced
- 12 pt. font
- In-text citations for each quote (author page).
- Works Cited page
Due:
Assignment
Quote totals
- 1 or 2 quotes from the digital resource on the Social Concern theme
- Minimum 5 short, specific quotes from each book to help support your analyses
- You CAN have more as long as they’re short and succinct, but 1 – 2 quotes long, meandering quotes will not be enough to support your explanations.
- Watch out for plagiarism! Too many long quotes without enough explanation and analysis in your own words will score your paper down for plagiarism.
- The ideal ratio of quotes to original commentary is 15% / 85% (1 quote and 5 original sentences) to 20% / 80% (1 quote and 4 original sentences)
- A paper should be well-supported but not drowning in long, unrelated quotes just to fill the page.
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- Use the theme notes to help you identify one of the themes of your novel.
- You may print and then write your responses by hand.
- You may type your responses and then print when it is complete.
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If you were absent on Monday, this is due when you return:
Writing Topic – “Birds on the Western Front” by Saki
(Copy the prompt and answer in a paragraph of at least 5 sentences with some short, specific textual references. This is an exercise in quick, concise analysis and explication.)
As if you were, briefly, writing about this story for an AP exam, what should be explained regarding the symbolism, imagery, and tone in this text?
In Saki’s satirical story, “Birds on the Western Front” the imagery and symbolism of birds, described within pleasantly detached observations, are used to highlight the ravages on the landscape and the effects of war thereby revealing the ironic tone of condemnation. Amid the ruin of man's war, birds learned to adapt or flee, the skylark “stuck tenaciously” to “meadows and crop-lands” that were “seamed and bisected” with foxhole trenches and heavily scarred with “shell-holes.” The vivid imagery of the ruined countryside is juxtaposed to the innocent skylark, and other birds, that live in the fields of battle. The scene of the solitary magpie symbolizes the “sorrow in that wood” where so many have died. The lark, known for a joyful song, sounds “insincere” to the soldiers, though the birdsong has not changed, and becomes an image which illustrates a perversion of nature. The perversion is not with the bird but with the men killing one another. The suffering of men is mentioned only in passing as “wounded lying there.” The emphasis is placed instead on a hen-chaffinch near a “battered orchard” that is too scared to feed her chicks and “too loyal to desert.” The soldiers may wonder why anything with wings would choose “to stay in such a place.” The chaffinch symbolizes the soldiers forced to endure those intolerable circumstances, who only stay for the sake of loyalty and duty. Ironically, the more the narrator focuses on objective explanations for how birds reacted to their changed habitats, the more condemning the tone becomes towards the real subject of the prose piece, which is not the habits and habitats of birds but the desolation and dehumanization of war.
10 very brief and frequent text references clearly tied to literary term analysis
Due:
Assignment
Allusion Homewor - Myth:
* This week – choose a Mythical Text from your hand out on ‘Biblical Allusions and Greco-Roman Myths’.
* Choose one that you do not know well.
* Look it up online (http://www.greekmythology.com/) and read about that specific god or mythical figure. This is only a starting point, but it cross-references well to build your background knowledge. For complete texts and stories, which are extensive, you may want to check out books on Greek Mythology. (Our school library has several!)
* Complete a Dialectical Journal on the mythical god or figure you chose.
Bring your completed journal to class on Wednesday per. 3 OR Friday per. 4.
Fill a page in the writing section of your composition book:
Dialectical Journal
“Title” |
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Author Page(s) Line(s) “Direct Quote from the Text” For a poem include line numbers and use line breaks “ / ” ß line break is a forward slash |
Response
Discussion / Explanation of the theme(s) Questions or other commentary (warrants / analysis)
Fill the page |
New Vocabulary defined in the last 3 lines of the composition book page. (If you did not encounter any new words in that text section, continue your response in this space.) |
Due:
Assignment
BYOT Fridays - Bring Your Own Test
Starting in March:
Review the Test Prep homework and respond in Schoology as those dates come up! You will be responsible for bringing test materials every Friday for March and April. You can print for free (black ink) in the Magnet office. IF YOU PLAN AHEAD! Don't wait till Friday morning!
Instead of relying on me to pick a prompt or test section for you, pick what YOU personally want more practice with. I will give you credit for setting your own goals and preparing yourself.
Free AP Test Prep on: College Board - AP Literature (learn to navigate their website)
Multiple choice practice sections are in the Course Description, select two multiple choice excerpts from p. 12-27 with the associated questions from the PDF – select pages, don’t print the whole pdf (yes, I know p. 27 has the answers, cut them off after printing) - 4 sections or 2 weeks of testing available
If you have an AP Lit test prep book of your own or prep from another website, you can bring copies of Multiple Choice sections or Essay Prompts from there.
Several years of all 3 types of essay prompts are available on College Board, but you need to choose one with the associated text available or choose a Free-response essay prompt with the suggested text list
I will give you test prep credit every Friday if you complete 1, 40-minute essay in class or complete 2 sections of Multiple-choice (which is two text excerpts and usually just over 20 questions - check your work when you finish).
Miss! Why are you doing this? Why don’t you just give us the stuff? You’re the teacher!
Dear students, I am doing this because this is a very important time of the year for AP prep students. You need to know HOW to find this stuff, be independent, and make academic choices in your own best interest. If I don’t do this, whatever you feel you were not prepared for, you will blame your teacher for not doing for you. You cannot go through life blaming people for not doing your own work.
You are all individuals with different needs. You do not all need to do the same thing. I want you to focus on what you need. I want EVERYONE to be ready for the AP Lit test based on what they need to know.
I want you “studying” and completing “test prep” on your own, too, not just because I’m making you do it on Fridays. So, like a good teacher, I’m making sure you know how, but I’m not doing it for you. :P
Forgot your test? Didn’t have time? Couldn’t be bothered? That, dear student, is a problem. I may be making you get it yourself, but everything is still provided for you for FREE. And NO you can’t just ‘take a test from your phone’ during class. Don’t even ask. The school related print outs are FREE. You have no excuse not to have them.
If you forgot your test materials, you can work silently on your vocabulary. Use the 7th edition prep book, look up words you do not know, define them, read them in context, and write them in your own sentences while the rest of the class works on their practice exams.
And if you’ve just read this and decided, “pfft! I’ll just do vocabulary then, who cares? I'm not even taking the test, so why should I try?” Okay. That’s 100% your choice and 100% your responsibility.
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Assignment
Mythology 3 (Wed – Period 3 / Friday – Period 4)
1 Put BOTH your names in the upper right hand corner with the DATE
2 Title “Mythology 3”
3 Fold the paper in half (hamburger)
4 Each student puts their name on ONE half of the paper – top or bottom
5 Title your half with the mythological being’s name
6 Write your quote
(partner does the same step 5 & 6)
7 Share your journal
8 LISTENER: Write your response 3 sentence summary of the story you were told UNDER their quote – If you need more room, write on the back of their box
Larissa Green
Jason Fischer
4/26/19
Period 4
Mythology Allusion 3
Larissa Green Hera “Quote from the passage I read.”
Jason’s summary of what Larissa explained – 3 complete sentences
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Jason Fischer Cerberus “Quote from the passage he read.”
Larissa’s summary of what Jason explained – 3 complete sentences
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Speaker |
1st person narrator - travelogue satire |
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Subject |
Birds of Western Europe - extended / elaborate metaphor or conceit |
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Purpose |
Illustrating the destruction and dehumanization of war |
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Symbolism |
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Allusion |
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Imagery |
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Diction |
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Fig. Lang. |
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Tone/Theme |
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“Birds . . .” Questions
- 6 margin questions – Copy & Answer
- 5 assess questions (all parts) – change writers for each part - #1 come to a group consensus
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Assignment
Reading and Research – using your novels – find the evidence that you need to support your Modern Era: Social Concern.
You should prepare your Works Cited.
A resource for help:https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_formatting_and_style_guide.html
You need one digital resource that defines the social concern them you are focusing your paper on and an entry for each novel.
Minimum Works Cited - 3
Examples and additional information is attached.Due:
Assignment
Wilfred Owen p. 1053 – Round robin read, discuss & explicate in comp. book
- SSP, FAD and/or SIFT “Anthem for Doomed Youth”
Speaker |
3rd person omniscient speaker observing the death of young men and the symbolic funeral for their passing. |
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Subject |
The soldiers sent into battle to die “doomed youth” who never come home. Young men who die without a funeral. |
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Purpose |
It is a grim but realistic remembrance for soldiers who died on the battle-field. |
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Symbolism |
Their funeral music are made by the sounds of battle: “guns,” “rifles’ rapid rattle,” & “wailing shells” “their eyes” are the “candles” lit to say good-bye and then extinguish, the “pallor of girls’ brows” represents the sorrow of the girls they left behind and carries them on their way like “pall” bearers. |
Allusion |
Direct allusions to Christian funeral rites |
Imagery |
Auditory & visual examples: |
Diction |
“pallor,” “pall,” “orisons,” “sad shires,” “slow dusk” |
Fig. Lang. |
Alliteration examples: |
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Tone/Theme |
Tone: Grim, somber, serious Theme: The death of young men in war. |
Sassoon & Owen Questions
(group work – only copy the margin questions, number each part of the assess questions)
“Wirers” & “Anthem for Doomed Youth”
Critical Viewing p. 1052 & 1053 – Copy & Answer
Review and Assess #1-5 all parts – Number & Answer
* change writer for each part
* Assess #1 – answer for each group member
Name: Answer
Writing Prompt – Cavalier & War Poetry
(Copy the prompt (individual work) – answer in 2 paragraphs w/evidence)
How do the three Cavalier poets of the 17th century (Marvell, Herrick & Suckling) and the three War Poets of the 20th century (Brooke, Sassoon & Owen) portray the concept of honor, love, and life? Which poets seem to more accurately depict the human condition? Explain.
The writing topic needs to be answered in 2 paragraphs with at least two quotes of evidence to support your ideas, one per paragraph.
- Make sure the quotes of evidence are properly cited with the author's last name and the line or lines of poetry quoted.
- If you quote more than one line, you must use line breaks.
- The first question is for paragraph one
- The second question is for paragraph two
- Cavalier poets are pp. 440s-450s and War Poets pp. 1050s
All Quiet on the Western Front https://youtu.be/7m8J_2KHV8w bird sketch
Prose: “Birds on the Western Front” by Saki (H.H. Munro) p.1054-8
Round Robin Read and explicate this prose piece
- Remember this is satirical prose written like a sight-seeing guide (or travelogue) for birds you could encounter on the Western Front (one of the most dangerous places during WWI).
- Hint: NO ONE would go to an active war zone for bird-watching, hence, the satire.
- Pay attention to the symbolism or other meanings of the scenes you encounter as you read.
- SSP, AD, and SIFT “Birds on the Western Front”
Speaker |
1st person narrator - travelogue satire |
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Subject |
Birds of Western Europe - extended / elaborate metaphor or conceit |
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Purpose |
Illustrating the destruction and dehumanization of war |
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Symbolism |
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Allusion |
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Imagery |
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Diction |
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Fig. Lang. |
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Tone/Theme |
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Due:
Assignment
Due:
Assignment
BYOT Fridays - Bring Your Own Test
Starting in March:
Review the Test Prep homework and respond in Schoology as those dates come up! You will be responsible for bringing test materials every Friday for March and April. You can print for free (black ink) in the Magnet office. IF YOU PLAN AHEAD! Don't wait till Friday morning!
Instead of relying on me to pick a prompt or test section for you, pick what YOU personally want more practice with. I will give you credit for setting your own goals and preparing yourself.
Free AP Test Prep on: College Board - AP Literature (learn to navigate their website)
Multiple choice practice sections are in the Course Description, select two multiple choice excerpts from p. 12-27 with the associated questions from the PDF – select pages, don’t print the whole pdf (yes, I know p. 27 has the answers, cut them off after printing) - 4 sections or 2 weeks of testing available
If you have an AP Lit test prep book of your own or prep from another website, you can bring copies of Multiple Choice sections or Essay Prompts from there.
Several years of all 3 types of essay prompts are available on College Board, but you need to choose one with the associated text available or choose a Free-response essay prompt with the suggested text list
I will give you test prep credit every Friday if you complete 1, 40-minute essay in class or complete 2 sections of Multiple-choice (which is two text excerpts and usually just over 20 questions - check your work when you finish).
Miss! Why are you doing this? Why don’t you just give us the stuff? You’re the teacher!
Dear students, I am doing this because this is a very important time of the year for AP prep students. You need to know HOW to find this stuff, be independent, and make academic choices in your own best interest. If I don’t do this, whatever you feel you were not prepared for, you will blame your teacher for not doing for you. You cannot go through life blaming people for not doing your own work.
You are all individuals with different needs. You do not all need to do the same thing. I want you to focus on what you need. I want EVERYONE to be ready for the AP Lit test based on what they need to know.
I want you “studying” and completing “test prep” on your own, too, not just because I’m making you do it on Fridays. So, like a good teacher, I’m making sure you know how, but I’m not doing it for you. :P
Forgot your test? Didn’t have time? Couldn’t be bothered? That, dear student, is a problem. I may be making you get it yourself, but everything is still provided for you for FREE. And NO you can’t just ‘take a test from your phone’ during class. Don’t even ask. The school related print outs are FREE. You have no excuse not to have them.
If you forgot your test materials, you can work silently on your vocabulary. Use the 7th edition prep book, look up words you do not know, define them, read them in context, and write them in your own sentences while the rest of the class works on their practice exams.
And if you’ve just read this and decided, “pfft! I’ll just do vocabulary then, who cares? I'm not even taking the test, so why should I try?” Okay. That’s 100% your choice and 100% your responsibility.
Due:
Assignment
Rupert Brooke p. 1051 – read background, round robin read, discuss & explicate in comp book
- SSP, AD and SIFT for:
“The Soldier”
Speaker |
1st person – English soldier |
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Subject |
War, specifically, World War I |
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Purpose |
Glorifying or idealizing the idea of dying in war |
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Symbolism |
“body of England” – the country itself and the corpse of an English solider, “pulse in the eternal mind” – the soul, “a dust whom England bore” – decomposed body of an English solider, “Her” = England |
Allusion |
English heaven = Protestant Christianity
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Imagery |
“breathing English air”, “some corner of a foreign field”, “washed by the rivers”, “flowers” |
Diction |
“foreign field”, “richer dust”, “body of England” |
Fig. Lang. |
“dreams as happy as her day”, “English heaven”, “rich earth a richer dust conceal”, personification of England as female |
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Tone/Theme |
Tone: Reverent, Positive attitude towards war & especially dying in war; patriotic Theme: To die in war is noble or the Nobility of a Soldier’s Death; war and death |
- “The Soldier” by Rupert Brooke
- Group Work Questions – “The Soldier” Questions
- Analysis with Review and Assess #1-4 all parts
- 6 questions total – copy & answer the two margin, number & answer the assess – change writers for each part
https://youtu.be/SXtsiqrhqsU - All Quiet on the Western Front – trench warfare
Siegfried Sassoon p. 1052 – round robin read, discuss & explicate in comp. book
Speaker |
First hand observer in the trenches; maybe he’s a wirer himself |
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Subject |
Repairing the barbed wire fences at night—it was a dangerous (deadly) task |
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Purpose |
A realistic view of the battle-field and the tasks soldiers had to perform. The futility of the loss of human life in war. |
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Symbolism |
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Allusion |
Boche – the German army, location is probably the Western Front |
Imagery |
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Diction |
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Fig. Lang. |
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Tone/Theme |
The tone shifts from relating anger and trepidation to a veteran’s bitterness. Theme: War – The dangers of the battlefield, the futility of war |
Due:
Assignment
Due:
Assignment
Allusion Homewor - Myth:
* This week – choose a Mythical Text from your hand out on ‘Biblical Allusions and Greco-Roman Myths’.
* Choose one that you do not know well.
* Look it up online (http://www.greekmythology.com/) and read about that specific god or mythical figure. This is only a starting point, but it cross-references well to build your background knowledge. For complete texts and stories, which are extensive, you may want to check out books on Greek Mythology. (Our school library has several!)
* Complete a Dialectical Journal on the mythical god or figure you chose.
Bring your completed journal to class on Wednesday per. 3 OR Friday per. 4.
Fill a page in the writing section of your composition book:
Dialectical Journal
“Title” |
|
Author Page(s) Line(s) “Direct Quote from the Text” For a poem include line numbers and use line breaks “ / ” ß line break is a forward slash |
Response
Discussion / Explanation of the theme(s) Questions or other commentary (warrants / analysis)
Fill the page |
New Vocabulary defined in the last 3 lines of the composition book page. (If you did not encounter any new words in that text section, continue your response in this space.) |
Due:
Assignment
Due:
Assignment
- Use the theme notes to help you identify one of the themes of your novel.
- You may print and then write your responses by hand.
- You may type your responses and then print when it is complete.
Due:
Assignment
MAKING A PLAN!
The Modern Era: Social Concerns paper
- Map out what you need to do and when you are GOING to do it—with DATES
- This paper (5-7 pages + Works Cited) is due at the end of May, and we will work on drafts in class with peer reviews before Finals Week. You have a LOT of reading AND analysis to do before then. You cannot ‘rush this’ at the last minute with two novels you “kinda know”. You have to incorporate digital resources about the Social Concern. You have to have relevant citations focused on the specific social concern(s).
- Many of you MAY need to review MLA for in-text citations, Heading, Class Info, and a Works Cited page – 1 digital source and 2 novels.
In-text citations: https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_in_text_citations_the_basics.html
MLA paper format – header, class info, title, spacing: https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_general_format.html
- If you use sites like citefast.com or OWL Purdue to help with your Works Cited, you must double check it for accuracy! If you are not sure, use the OWL Purdue website to check the format.
- What should be already done? Selected your Social Concern and the two novels you are going to use
- One MUST be a modern novel – see the posted list & related themes in your HW
- What do you need to do?
- Read / re-read both novels carefully and collect the evidence you’re going to need for the Social Concern theme
- Locate a relevant (.edu, .gov., .org – not Wikipedia) digital resource that clearly defines your social concern and gather the relevant evidence you’ll need to explain the social concern in your intro
- Look at your classes, your schedule, your due dates for other classes and map out when you’re going to have each part of this project completed by
- When will both novels be completely read?
- When will you have all of the evidence about the social concern organized from each novel?
- When will you have the digital resource WITH the evidence and the information you will need for the MLA Works Cited page?
- When will you review how to use MLA in-text citations and write an MLA Works Cited page with novel and digital resources correctly cited? Google: Perdue OWL
- When will you write your Works Cited page? (Yes, you should have this COMPLETE before you begin your paper, so you know what to use for in-text citations as you write your paper!)
- Organizing your Works Cited is the first thing you should do, not the last
- When will you review how to format a paper for MLA to have the correct headings and class information in the correct places? Google: Perdue OWL
- When will you start drafting?
- When will your first draft be complete?
- When will you re-write your peer reviewed draft into your final draft
- When will you check for typos, misused vocabulary, and spacing errors? This is a major problem many students have! Yes, it really matters. Your paper will be poorly judged before it is read.
- When will turn in your Final Draft?
- Are there any circumstances that could mean you will need a different (earlier) submission date?
Due:
Due:
Assignment
BYOT Fridays - Bring Your Own Test
Starting in March:
Review the Test Prep homework and respond in Schoology as those dates come up! You will be responsible for bringing test materials every Friday for March and April. You can print for free (black ink) in the Magnet office. IF YOU PLAN AHEAD! Don't wait till Friday morning!
Instead of relying on me to pick a prompt or test section for you, pick what YOU personally want more practice with. I will give you credit for setting your own goals and preparing yourself.
Free AP Test Prep on: College Board - AP Literature (learn to navigate their website)
Multiple choice practice sections are in the Course Description, select two multiple choice excerpts from p. 12-27 with the associated questions from the PDF – select pages, don’t print the whole pdf (yes, I know p. 27 has the answers, cut them off after printing) - 4 sections or 2 weeks of testing available
If you have an AP Lit test prep book of your own or prep from another website, you can bring copies of Multiple Choice sections or Essay Prompts from there.
Several years of all 3 types of essay prompts are available on College Board, but you need to choose one with the associated text available or choose a Free-response essay prompt with the suggested text list
I will give you test prep credit every Friday if you complete 1, 40-minute essay in class or complete 2 sections of Multiple-choice (which is two text excerpts and usually just over 20 questions - check your work when you finish).
Miss! Why are you doing this? Why don’t you just give us the stuff? You’re the teacher!
Dear students, I am doing this because this is a very important time of the year for AP prep students. You need to know HOW to find this stuff, be independent, and make academic choices in your own best interest. If I don’t do this, whatever you feel you were not prepared for, you will blame your teacher for not doing for you. You cannot go through life blaming people for not doing your own work.
You are all individuals with different needs. You do not all need to do the same thing. I want you to focus on what you need. I want EVERYONE to be ready for the AP Lit test based on what they need to know.
I want you “studying” and completing “test prep” on your own, too, not just because I’m making you do it on Fridays. So, like a good teacher, I’m making sure you know how, but I’m not doing it for you. :P
Forgot your test? Didn’t have time? Couldn’t be bothered? That, dear student, is a problem. I may be making you get it yourself, but everything is still provided for you for FREE. And NO you can’t just ‘take a test from your phone’ during class. Don’t even ask. The school related print outs are FREE. You have no excuse not to have them.
If you forgot your test materials, you can work silently on your vocabulary. Use the 7th edition prep book, look up words you do not know, define them, read them in context, and write them in your own sentences while the rest of the class works on their practice exams.
And if you’ve just read this and decided, “pfft! I’ll just do vocabulary then, who cares? I'm not even taking the test, so why should I try?” Okay. That’s 100% your choice and 100% your responsibility.
Due:
Assignment
Cavalier Poets: p. 444 Intro
Round Robin Read p.444 then p. 445 – vocab on p. 445
- 445 – carpe diem theme & terms: coyness, amorous, languish, prime, and wan
Marvell p. 446-8, Round Robin Reading, discuss, explicate in comp. book
- SSP, AD, SIFT
“To His Coy Mistress”
Speaker |
1st person narrator in passionate love with a young woman |
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Subject |
The juxtaposition of an eternity spent expressing love to the fleeting days of mortal life. |
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Purpose |
The speaker is trying to convince his mistress to be bold instead of coy because though he would woo her endlessly, if time allowed, their lives and days of youth are short. They should enjoy their time (i.e., have sex) since youth fades and life ends so quickly. It would be a pointless waste if she died a virgin. |
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Symbolism |
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Allusion |
Christian tradition – “Flood” before Noah’s flood, conversion of the Jews – until judgment day Indian Ganges’ – the Ganges river to the Humber river in England |
Imagery |
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Diction |
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Fig. Lang. |
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Tone/Theme |
Tone: Persuasive, coaxing tone Themes: Carpe diem Love and Desire |
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Group work
“Meditation 17” Questions
Spoiler: The metaphysical ideas here are people are interconnected and, again, mortality which encompasses both life and death. If we are one, then when someone dies, we are all lessened by their loss, for we are all part of humanity. So, when the church bell tolls, for a funeral, don’t ask who it rings for, it rings for you. Even the loss of the smallest of us affects the greatest of us. The loss or sickness of another also gives us time to reflect on our own spiritual state.
Allusions to Christian traditions
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Assignment
As shown in class on Friday, select the Modern Era: Social Concern theme you would like to focus on for your paper.
Final Paper - Social Concerns (Modern era)
Suggested themes and titles
Social Concern themes that can be explored across a pair of novels:
Society and Class - (All the Pretty Horses - John Grady; Wuthering Heights - Heathcliff; Angle of Repose; The Awakening)
Misunderstandings and Legal issues - (Atonement - Cecilia; Jane Eyre - Jane; Snow Falling on the Cedars - Ishmael; Alias Grace - Grace; The Grapes of Wrath - Tom)
Education - (The Giver; Brave New World)
Mental Health - (Catcher in the Rye - Holden; Jane Eyre - Bertha; Wide Sargasso Sea - Antoinette (who later became Bertha in Jane Eyre); Animal Dreams)
Government Control - (such as the over-reaching or over controlling 'state' - The Giver; 1984; Brave New World; The Handmaiden's Tale; Player Piano)
Gender Roles - (The Handmaiden's Tale - Offred; Catch-22 - prostitutes & soldiers (good ol' opportunity value economics); Wide Sargasso Sea - Antoinette; Jane Eyre - Jane; Angle of Repose - Susan; The Awakening - Edna; The Grapes of Wrath - (men & women); The Kite Runner - men and masculinity)
Industrialism or Technology - (North and South (Gaskell); Player Piano; Animal Dreams; Angle of Repose; Heart of Darkness; Silas Mariner)
Social Criticism - (Ethan Frome; A Prayer for Owen Meany; Catch-22; The Great Gatsby)
The thin veneer of Civilization - (Lord of the Flies; The Crucible; The Scarlet Letter)
Revenge (and Forgiveness) - (Frankenstein; Atonement; Wuthering Heights; Stones from the River)
Pushing the boundaries of Science - (Frankenstein; Einstein's Dreams)
Humanity as Monstrous – (Frankenstein; Grendel)
Racism and Justice - (To Kill a Mockingbird; Their Eyes Were Watching God; Montana 1948)
Identity: Revealing, Remembering, and Forgetting - (Beloved; Obasan; Angle of Repose; All the King's Men; The Great Gatsby)
Other thematic topics of Social Concern:
Environmental Concerns
Social Justice
The suggested titles are NOT limits. You can choose other books of equal literary caliber. The themes can apply to other books in the list, too. They're just suggestions for how to view parts of texts, or certain characters, to focus on themes that are social concerns.
You are not limited to this theme list, either. It is just a list of suggested themes to get you started. If you have a question about a theme or themes for your analytical paper, see me.
One of the novels for this paper must be a 20th or 21st century novel. Both may be modern novels if you wish. The above list shows similar social concern themes that can link the literature together, but not all of the novels listed above are modern.
You CAN write about two different, but related, themes. They will be discussed, in your papers, as the social concern theme(s) itself (or themselves) and within the historical context.
Reminder: 20th century is the year 1900 to 1999 and 21st century is the year 2000 to 2099. We are in the 21st century. :) 1900 to Present is considered the Modern Era.
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Assignment
Final Paper - Social Concerns (Modern Era) Begin to prepare for your final paper now. By this Friday, you should have selected (and be reading) the homework novels that will help you complete this project. You may have already read one of these novels this year. Other novels with modern concerns may be appropriate for this paper. See me if you have questions or an argument for the inclusion of a particular novel.
Your final unit - on your syllabus: Modern Era: Social Concerns Students choose two novels to read and study from the following list of possible titles (other books with social concerns may be acceptable - like North and South by Elizabeth Gaskell (industrialization)): Alias Grace, All the King’s Men, All the Pretty Horses, Angle of Repose, Animal Dreams, Atonement, Awakening, Beloved, Brave New World, Catch 22, Einstein’s Dreams, Ethan Frome, Frankenstein, The Grapes of Wrath, The Great Gatsby, Grendel, The Handmaid’s Tale, The Kite Runner, Lord of the Flies, Montana 1948/Justice, 1984, Obasan, Player Piano, The Poisonwood Bible, A Prayer for Owen Meany, Snow Falling on Cedars, Stones from the River, Their Eyes Were Watching God You may have already read one of these novels earlier this year for homework, which is acceptable. You can use your reading logs in lieu of a separate dialectical journal to assist you with locating references for your paper. At least one of the novels should be new to you, so keep a dialectical journal as you read it (or read it for homework with reading logs if time allows). If you have not read any books from this list (or similarly themed AP novels), you will need to read two novels that focus on social concerns for the final paper. You cannot write the paper on two books that you already read. Even if they both focused on social concerns, it does not expand your literary repertoire to just 'review' two novels. Focus your reading to find evidence for this paper's theme. Prompt: Write a formal literary paper in MLA format. Students will take the two novels they read, and using their reading logs on that novel and/or the material generated in their journals, write an analytical, argumentative essay that attempts to persuade its reader that each novel is making a specific socio-historical commentary on an issue of social concern.
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The essay will be developed through multiple drafts. In the opening paragraph of the essay, students will state a clear thesis and argue for specific ways that each novel reflects the social concern detected and articulated in its writing. Clearly define the social concern in the intro. In the body, use clear evidence from the texts to support your arguments, transition between the texts, and make sure the essay is cohesive. It should not be two pages about the first novel, followed by two pages about the second novel, and then a page of concluding thoughts and summation. In this 5-7 page paper, the social issues, historical context, and the evidence of both novels should be interwoven. It is okay to focus paragraphs one certain novels, but make sure to transition between paragraphs to lead from one to the other. See your Clean College Writing print out if you are unsure about transitions. As noted below, bring in some other research about the social concern(s) you are analyzing that either clarify and define the importance of the concern(s) or integrate sources that lend themselves to more fully explaining the historical context of the novels. Use additional print and electronic resources to assist you in the formation of this paper. These resources should help you clarify the social concern(s) in your paper. If you are unsure about the validity of an electronic resource, you may review R28 in our textbook or check with me if you are still unsure. Make sure all sources appear on your Works Cited page. Do NOT wait until the last minute to do this. Due today does not mean 'do today'. The final draft will be part of your final in my class. The test period itself will have an academic vocabulary test as a refresher for your college-level literary terms.
CCRA.R.10 CCRA.W.8 Gather relevant information from multiple print and digital sources, assess the credibility and accuracy of each source, and integrate the information while avoiding plagiarism.
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Assignment
Gather these papers together, make a packet, and staple them together with your cover sheet on top. The last page is your performance paper.
The top sheet will be your cover paper – COPY IT NEATLY – you will be graded when this form is complete. Yes, you write EVERYTHING below for your grade level:
Student Led Conference
Cover Sheet
Spring 2019
12th grade |
9th grade
|
2 Reading Logs |
2 Reading Logs |
1 Dialectical Journal – your choice |
Novel Check – February |
1 Group or Individual poetry Qs assignment |
1 Writing Assignment of your choice |
1 Essay (Sue & Jude) or MLA paper (poetry paper 1st draft) |
CA #3 - Sentence Types |
1 Assignment of your choice – RL, Allusion, DJ, or Major Work/Novel Check |
SpringBoard – SOAPStone p. 206 |
Directions:
- Sit with your parent or guardian
- Explain the work you do in the class
- Review your Performance & Behavior paper (complete it)
- If your parent or guardian has questions about your grade, show your parent or guardian your assignment list (Schoology) for what you have done, your scores, and anything you are missing.
(Skip lines)
_______________________________ (student name) conferenced with me on: ___________ (date)
The above named is in Ms. Green’s period: __________ English class.
(Skip line)
Parent/Guardian Signature: _________________________
(After March 25, this assignment is considered late)
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Assignment
Writing Topic – Hero
(2 paragraphs – 5 sent. ea.)
Compare and contrast Milton’s Satan from the epic Paradise Lost with another epic hero, such as Achilles or Beowulf, and a tragic hero, such as Othello or Oedipus.
First paragraph: Why are these characters heroes?
Second paragraph: With which character does Milton’s Satan seem to have more in common? Explain how and why.
Back up your ideas with short “textual references” (Author Lines). You will have 1 quote from each text.
(Hint: From our Summer Work you read “The Satanic and Byronic Hero” article, which related to Heathcliff, let your understanding of that hero-type help inform your response.)
Writing Topic - Hero
In Milton's Paradise Lost, Satan, a fallen angel who stands in opposition to God, is a bombastic anti-hero. Likewise, mostly-immortal Achilles, of The Iliad, paid little heed to the traditions of gods and men when he's angry. Oedipus, in Sophocles' Oedipus Rex though clever, honest, and just, was little more than a pawn of Apollo's cruel punishment on his family. Oedipus defeated the Sphinx, which made him a hero to the Greek people. The town elders proclaimed of Oedipus that, “the carrion woman faced him of old, / Prove his heroic mind” (Oed. 1.483-4). Achilles was one of the greatest warriors in the Trojan War, and they lost morale whenever he left the field. Satan was well-spoken and a heroic leader to the fallen angels he encouraged to stand with him.
Out of the three heroes, Satan, Oedipus, and Achilles, Satan resembles Achilles the most because they shared the same tragic flaws of wrath and hubris. Like Satan, who swore, “good never will be our task / but ever to do ill our sole delight” (Milton 159-60), Achilles angrily declared to Hector that he would hate him forever, like men and lions, “forever these hold feelings of hate for each other” and “Pallas Athene will kill you soon by my spear” (Homer 26, 32-3). Satan would stand, in anger and resentment, against God to try to corrupt all the goodness in creation. Achilles granted no mercy to Hector, expressing his rage and, in his pride, claimed to be the instrument of a goddess. Satan claimed that he and his cohorts were equal in arms to the legions of heaven and better equipped for war since they could and would be deceitful.
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Assignment
BYOT Fridays - Bring Your Own Test
Starting in March:
Review the Test Prep homework and respond in Schoology as those dates come up! You will be responsible for bringing test materials every Friday for March and April. You can print for free (black ink) in the Magnet office. IF YOU PLAN AHEAD! Don't wait till Friday morning!
Instead of relying on me to pick a prompt or test section for you, pick what YOU personally want more practice with. I will give you credit for setting your own goals and preparing yourself.
Free AP Test Prep on: College Board - AP Literature (learn to navigate their website)
Multiple choice practice sections are in the Course Description, select two multiple choice excerpts from p. 12-27 with the associated questions from the PDF – select pages, don’t print the whole pdf (yes, I know p. 27 has the answers, cut them off after printing) - 4 sections or 2 weeks of testing available
If you have an AP Lit test prep book of your own or prep from another website, you can bring copies of Multiple Choice sections or Essay Prompts from there.
Several years of all 3 types of essay prompts are available on College Board, but you need to choose one with the associated text available or choose a Free-response essay prompt with the suggested text list
I will give you test prep credit every Friday if you complete 1, 40-minute essay in class or complete 2 sections of Multiple-choice (which is two text excerpts and usually just over 20 questions - check your work when you finish).
Miss! Why are you doing this? Why don’t you just give us the stuff? You’re the teacher!
Dear students, I am doing this because this is a very important time of the year for AP prep students. You need to know HOW to find this stuff, be independent, and make academic choices in your own best interest. If I don’t do this, whatever you feel you were not prepared for, you will blame your teacher for not doing for you. You cannot go through life blaming people for not doing your own work.
You are all individuals with different needs. You do not all need to do the same thing. I want you to focus on what you need. I want EVERYONE to be ready for the AP Lit test based on what they need to know.
I want you “studying” and completing “test prep” on your own, too, not just because I’m making you do it on Fridays. So, like a good teacher, I’m making sure you know how, but I’m not doing it for you. :P
Forgot your test? Didn’t have time? Couldn’t be bothered? That, dear student, is a problem. I may be making you get it yourself, but everything is still provided for you for FREE. And NO you can’t just ‘take a test from your phone’ during class. Don’t even ask. The school related print outs are FREE. You have no excuse not to have them.
If you forgot your test materials, you can work silently on your vocabulary. Use the 7th edition prep book, look up words you do not know, define them, read them in context, and write them in your own sentences while the rest of the class works on their practice exams.
And if you’ve just read this and decided, “pfft! I’ll just do vocabulary then, who cares? I'm not even taking the test, so why should I try?” Okay. That’s 100% your choice and 100% your responsibility.
Due:
Assignment
Homework: Read the excerpt about Sin from Book 2 & answer the questions
Come to class Thursday prepared to review and discuss
Sin’s Birth and Death’s Birth and then what Death did to Sin (Book 2)
[Sin is speaking, telling her story of existence]
Likest to thee in shape and count'nance bright,
Then shining Heav'nly fair, a Goddess arm'd
Out of thy head I sprung; amazement seis'd
All th' Host of Heav'n back they recoild affraid
At first, and call'd me Sin, and for a Sign [ 760 ]
Portentous held me; but familiar grown,
I pleas'd, and with attractive graces won
The most averse, thee chiefly, who full oft
Thy self in me thy perfect image viewing
Becam'st enamour'd, and such joy thou took'st [ 765 ]
With me in secret, that my womb conceiv'd
A growing burden. Mean while Warr arose,
And fields were fought in Heav'n; wherein remaind
(For what could else) to our Almighty Foe
Cleer Victory, to our part loss and rout [ 770 ]
Through all the Empyrean: down they fell
Driv'n headlong from the Pitch of Heaven, down
Into this Deep, and in the general fall
I also; at which time this powerful Key
Into my hand was giv'n, with charge to keep [ 755 ]
These Gates for ever shut, which none can pass
Without my op'ning. Pensive here I sat
Alone, but long I sat not, till my womb
Pregnant by thee, and now excessive grown
Prodigious motion felt and rueful throes. [ 780 ]
At last this odious offspring whom thou seest
Thine own begotten, breaking violent way
Tore through my entrails, that with fear and pain
Distorted, all my nether shape thus grew
Transform'd: but he my inbred enemie [ 785 ]
Forth issu'd, brandishing his fatal Dart
Made to destroy: I fled, and cry'd out Death;
Hell trembl'd at the hideous Name, and sigh'd
From all her Caves, and back resounded Death.
I fled, but he pursu'd (though more, it seems, [ 790 ]
Inflam'd with lust then rage) and swifter far,
Mee overtook his mother all dismaid,
And in embraces forcible and foule
Ingendring with me, of that rape begot
These yelling Monsters that with ceasless cry [ 795 ]
Surround me, as thou sawst, hourly conceiv'd
And hourly born, with sorrow infinite
To me, for when they list into the womb
That bred them they return, and howle and gnaw
My Bowels, thir repast; then bursting forth [ 800 ]
A fresh with conscious terrours vex me round,
That rest or intermission none I find.
[those are the monsters surrounding Sin in the image you studied]
Sin is an allegorical figure and in no way represents womankind or that a woman’s gender characteristics are evil or monstrous. The answers to the questions are inferred, which means they’re NOT literal.
Example: The answer to number 2 is not “She had sex while still in heaven.” Consider what it meant for Sin to have “conceived” in Heaven and what that represents. Remember, thoughts are also conceived, whose thoughts would we be concerned with in this passage? Recall also the story of Athena's origin myth it has a lot of parallels Sin's origin in this epic.
Exploring the Allegory of Sin:
- Why is Sin in Heaven with a fair and innocent form?
- Why does Sin get pregnant in Heaven?
- Why is Sin in Heaven at all?
- Why is Death born in Hell?
- Why did Death rape Sin?
- Why did Sin conceive and bring forth monstrous off-spring after Death raped her?
Due:
Assignment
Students choose two novels to read and study from the following list of possible titles:
Alias Grace, All the King’s Men, All the Pretty Horses, Angle of Repose, Animal Dreams, Atonement, Awakening, Beloved, Brave New World, Catch 22, Einstein’s Dreams, Ethan Frome, Frankenstein, The Grapes of Wrath, The Great Gatsby, Grendel, The Handmaid’s Tale, The Kite Runner, Lord of the Flies, Montana 1948/Justice, 1984, Obasan, Player Piano, The Poisonwood Bible, A Prayer for Owen Meany, Snow Falling on Cedars, Stones from the River, Their Eyes Were Watching God
You may have already read one of these novels earlier this year for homework, which is acceptable. You can use your reading logs in lieu of a separate dialectical journal to assist you with locating references for your paper. At least one of the novels should be new to you, so keep a dialectical journal and/or complete reading logs as you read it.
Prompt: Write a formal literary paper in MLA format. Students will take the two novels they read, and using their reading logs on that novel and/or the material generated in their journal, write an analytical, argumentative essay that attempts to persuade its reader that each novel is making a specific socio-historical commentary on an issue of social concern.
- The issue may, but need not, be the same in each novel.
The essay will be developed through multiple drafts. In the opening paragraph of the essay, students will state a clear thesis and argue for specific ways that each novel reflects the social concern detected and articulated in its writing. Use clear illustrations from the texts to support your arguments, transition between the texts, and make sure the essay is cohesive.
Use additional print and electronic resources to assist you in the formation of this paper. These resources should help you clarify the social concern(s) in your paper. If you are unsure about the validity of an electronic resource, you may review R28 in our textbook or check with me if you are still unsure. Make sure all sources appear on your Works Cited page.
- MLA – Citing Sources see the online resource: https://owl.english.purdue.edu/owl/resource/747/01/
CCRA.R.10
Read and comprehend complex literary and informational texts independently and proficiently
Due:
- 1" margins
- 12 point font - Arial,Times New Roman, or Calibri
- (check your google docs setting to make sure it's 12pt and not defaulted at 11pt font)
- double spaced without an extra gap between paragraph
- Printed in blue or black ink
Due:
Assignment
Turning in improperly formatted papers with unclear titles can get your papers returned to you ungraded or simply discarded depending on the professor or TA.
Due:
Assignment
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Assignment
Due:
Due:
Assignment
BYOT Fridays - Bring Your Own Test
Starting in March:
Review the Test Prep homework and respond in Schoology as those dates come up! You will be responsible for bringing test materials every Friday for March and April. You can print for free (black ink) in the Magnet office. IF YOU PLAN AHEAD! Don't wait till Friday morning!
Instead of relying on me to pick a prompt or test section for you, pick what YOU personally want more practice with. I will give you credit for setting your own goals and preparing yourself.
Free AP Test Prep on: College Board - AP Literature (learn to navigate their website)
Multiple choice practice sections are in the Course Description, select two multiple choice excerpts from p. 12-27 with the associated questions from the PDF – select pages, don’t print the whole pdf (yes, I know p. 27 has the answers, cut them off after printing) - 4 sections or 2 weeks of testing available
If you have an AP Lit test prep book of your own or prep from another website, you can bring copies of Multiple Choice sections or Essay Prompts from there.
Several years of all 3 types of essay prompts are available on College Board, but you need to choose one with the associated text available or choose a Free-response essay prompt with the suggested text list
I will give you test prep credit every Friday if you complete 1, 40-minute essay in class or complete 2 sections of Multiple-choice (which is two text excerpts and usually just over 20 questions - check your work when you finish).
Miss! Why are you doing this? Why don’t you just give us the stuff? You’re the teacher!
Dear students, I am doing this because this is a very important time of the year for AP prep students. You need to know HOW to find this stuff, be independent, and make academic choices in your own best interest. If I don’t do this, whatever you feel you were not prepared for, you will blame your teacher for not doing for you. You cannot go through life blaming people for not doing your own work.
You are all individuals with different needs. You do not all need to do the same thing. I want you to focus on what you need. I want EVERYONE to be ready for the AP Lit test based on what they need to know.
I want you “studying” and completing “test prep” on your own, too, not just because I’m making you do it on Fridays. So, like a good teacher, I’m making sure you know how, but I’m not doing it for you. :P
Forgot your test? Didn’t have time? Couldn’t be bothered? That, dear student, is a problem. I may be making you get it yourself, but everything is still provided for you for FREE. And NO you can’t just ‘take a test from your phone’ during class. Don’t even ask. The school related print outs are FREE. You have no excuse not to have them.
If you forgot your test materials, you can work silently on your vocabulary. Use the 7th edition prep book, look up words you do not know, define them, read them in context, and write them in your own sentences while the rest of the class works on their practice exams.
And if you’ve just read this and decided, “pfft! I’ll just do vocabulary then, who cares? I'm not even taking the test, so why should I try?” Okay. That’s 100% your choice and 100% your responsibility.
Due:
Assignment
Due:
Claim is red, Warrants are purple, Grounds are blue, Literary Terms are green, and the Conclusion is orange
Notes: My quotes are so short and frequent that I mix my analyses in all around them. This paper was written to show what evidence would look like for all 6 literary terms in the prompt; however, you only need 4 of the 6.
MLA In-text Citations:
In Marlowe’s poem, his speaker tries to seduce a maiden to be “his love” with flowery clothing, soft wool, and slippers with “golden buckles” (4, 13).
“Spinster” is also based on the subject of love, which is shown in the imagery of “a ceremonious April walk” with the speaker’s story of a woman and her “latest suitor” (Plath 2-3).
Parts of consecutive lines quoted: (Plath 7-10). Parts of non-consecutive lines quoted: (Plath 7, 10).
If you have to insert or change part of a quote, you do it in [square brackets].
Due:
Assignment
Tackling AP English Literature Multiple Choice Questions: A How-To Guide
As it makes up 45% of your score, the multiple-choice section on the AP English Literature is an important thing to study for, even if you think you’re already an excellent multiple-choice test-taker.
There are 55 AP English Literature multiple choice questions and you will be given one hour to complete them. Sample AP English Literature multiple choice questions are available on Learnerator and CollegeBoard.
What follows are some basic strategies to keep in mind while studying for this section of the test, doing practice questions, and taking the exam itself.
- Close Reading (3 strategies just for reading)
Because the AP English Literature multiple choice questions are centered around passages selected from works of literature throughout the ages, it is important to read the passages thoroughly but efficiently (as you only have about 1 minute per question on this section of the exam).
There are a few different helpful strategies for reading the passages in this section; you should try each with a different set of practice questions and see which one works best for you.
Some students feel they perform better when they read the questions before the passages. One of the advantages of this strategy is that you will already know what you’re looking for when you start to tackle the passage.
Others prefer to read the passage twice, once being a skim for main ideas the other a full reading. Although this may take a bit longer than the other strategies, you may make up the time later when working on the questions, as you won’t have to go back and refer to the passage as often.
Of course, simply reading the passage through once and then starting on the questions may work for you better than these.
Try all three strategies and any others you can think of to see what works best for you.
- Make Critical Inferences
There is no guessing penalty on the AP English Literature multiple choice questions; you are graded based on the number of questions you get right. There is also no penalty for leaving a question blank. This means that you shouldn’t waste time and effort on guessing wildly (blindly picking choice C on a question you don’t know anything about), but that you also shouldn’t be afraid to guess if you can think critically and eliminate certain answers.
If you can eliminate 3 of the 5 possible answers, you have a 50% chance of getting the question right, and should take a guess, because the potential benefits outweigh the very minimal risk.
- Be Mindful of Your Time
Because there is no penalty for leaving questions blank, if a question is giving you trouble you should skip it and mark it to return to later if you have time. You only have 1 hour for the test, which breaks down to about one minute per question with a little extra time for reading the associated passage. As such, you need to work through the test efficiently; it’s better to miss out on the points for one tough question than three easy ones, as the questions are all counted equally, despite their difficulty levels.
These tips should help you tackle your AP English Literature multiple choice questions, but be sure to practice as much as possible between now and the exam, reviewing on Learnerator and other sites and bringing any important questions to your teacher or study group.
--
We have about two months left! For all of March and April, we will have Test Prep Fridays, so problems, concerns, or questions that you have from your own study and practice (assigned and independent), can be discussed in your groups and with me on Fridays before we resume our normal assignment.
Due:
Assignment
Essay Writing Prompt – Poetry
(Essay – 4 paragraphs: Minimum 2 full body paragraphs & with a short intro and conclusion paragraph - copy the prompt in the writing section of your comp. book)
Choose a Renaissance poem and a modern poem. After fully explicating each poem in your journal (this should already be done!), compare and contrast them in terms of imagery, symbolism, figurative language, tone, worldview, and subject matter (use at least 4 terms). In terms of the poems’ artistry and quality (consider the structure - rhyme & meter, diction, allusions, alliteration, assonance, and layers of meaning) which did you find the most effective—the Renaissance or the modern poem? Explain.
Audience: A university AP-style reader.
Intro paragraph with claim (answer the question clearly and directly!)
WGAGA paragraph – include short, direct quotes and literary terms
WGAGA paragraph – include short, direct quotes and literary terms
Conclusion – your final thoughts (no new evidence)
(note: Be clear. Be direct. Don’t be squirrely in your writing. College readers are not going to read your paper 4 times to try to figure out what you mean. You will be scored down. Use your Clean College Writing handout to help you avoid run-ons and fragments. Re-read each sentence for logic.)
Renaissance poems: Sidney, Spenser, Shakespeare, Marlowe, Raleigh (Prentice Hall)
Modern: Plath, (both) Hughes, Thomas, Heaney (Perrine Literature)
Write down the poem titles (with the author) that you selected under your prompt.
Our writing focus is analytical body paragraphs with frequent, and I mean FREQUENT, concise textual references. Stuffing just two or three long, droning quotes into your essays just won't do for an AP exam or university-level writing. You don't have time to copy half a paragraph or multi-line block quotes into your paragraphs, and huge quotes can quickly tilt an essay from analysis towards plagerism. Grab a phrase, work with it as part of your analysis, and move on. Ideally, brief, frequent text references should be around 20.
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- You may print it and write on it.
- You may type and print the completed copy.
- Suggested: Print front & back (2-sided copies) to save paper
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During a ceremonious April walk
With her latest suitor
Found herself, of a sudden, intolerably struck
By the birds' irregular babel
And the leaves' litter.
Observed her lover's gestures unbalance the air,
His gait stray uneven
Through a rank wilderness of fern and flower.
She judged petals in disarray,
The whole season, sloven.
Scrupulously austere in its order
Of white and black
Ice and rock, each sentiment within border,
And heart's frosty discipline
Exact as a snowflake.
Unruly enough to pitch her five queenly wits
Into vulgar motley--
A treason not to be borne. Let idiots
Reel giddy in bedlam spring:
She withdrew neatly.
Such a barricade of barb and check
Against mutinous weather
As no mere insurgent man could hope to break
With curse, fist, threat
Or love, either.
“Spinster” p. 987
symbolism “ceremonious” –traditional courtship, impending nuptials “white and black” – order Winter – represents cool order Spring – represents chaotic nature “latest suitor” – the expectation of marriage one of several |
tone (to determine the tone consider: Distancing oneself from emotion due to the desire for control. The chaos of what’s considered ‘natural’ and an anxious need for self-control and order.) |
imagery “birds’ irregular babel”, “leaves’ litter”, “rank wilderness” (find more)
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figurative language “round her house she set / such a barricade of barb and check” – it was not her “house”, it was her heart “insurgent man” – a man was an invader (find more) |
rhyme scheme (and/or repetition, alliteration, assonance) The rhyme scheme for each sestet: 1st and 5th 2nd and 4th 3rd and 6th abcbac, defedf Alliteration: “birds’…babel”, “leaves’ litter”, “fern and flower”, “season, sloven”
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meter / structure / layout 5 sestets (six-line stanzas) Irregular meter
A perfectly structured rhyme scheme to reflect the well-ordered control preferred by the subject. The uneven lines with irregular meter could relate to disorder or chaos of love. Every stanza is a dichotomy of order and chaos. |
Subject Themes: Love Order and chaos Controlling one’s own life
The subject is the “particular girl” who rejects the chaos of love, symbolically shown in spring, and prefers the safety of isolation, represented by winter.
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Worldview A third-person limited narrator, who only reveals the thoughts and feelings of the ‘particular girl’ who chose to remain alone. |
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Finish for HW in your comp. book:
https://www.poetryfoundation.org/poems/47555/digging
“Digging” p. 739
symbolism
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tone
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imagery
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figurative language
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rhyme scheme (alliteration / assonance)
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meter / structure / layout
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Subject Work, represented literally and figuratively as digging, is presented through three generations of a grandfather and father laborer, and the speaker who is a writer.
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Worldview Unlike his grandfather and father before him who cut turf and dug up potatoes, the speaker is a writer and instead of literally digging with a spade, he digs with his pen into words and ideas. However, the writer does not think he is better than those who have humble jobs of physical labor as he saw their work as valuable and admirable. |
For Heany’s poem find the rhyme scheme and meter
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Allusion Homewor - Myth:
* This week – choose a Mythical Text from your hand out on ‘Biblical Allusions and Greco-Roman Myths’.
* Choose one that you do not know well.
* Look it up online (http://www.greekmythology.com/) and read about that specific god or mythical figure. This is only a starting point, but it cross-references well to build your background knowledge. For complete texts and stories, which are extensive, you may want to check out books on Greek Mythology. (Our school library has several!)
* Complete a Dialectical Journal on the mythical god or figure you chose.
Bring your completed journal to class on Thursday.
Fill a page in the writing section of your composition book:
Dialectical Journal
“Title” |
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Author Page(s) Line(s) “Direct Quote from the Text” For a poem include line numbers and use line breaks “ / ” ß line break is a forward slash |
Response
Discussion / Explanation of the theme(s) Questions or other commentary (warrants / analysis)
Fill the page |
New Vocabulary defined in the last 3 lines of the composition book page. (If you did not encounter any new words in that text section, continue your response in this space.) |
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If you were absent on Thursday, this is what we worked on after finishing the questions on p. 257 in your Prentice Hall Literature textbook (#1-9)
Read intro on p. 260 – Literature Around the World
Read and discuss the translated Petrarch’s Sonnets 18 and 28 and Neruda’s Sonnets 69 and 89
You do not have to fully explicate or answer questions on them. But I do want you to read and discuss them in your groups. Try to discern what they mean. 1 paper per group
Sonnets in Translation p. 260-1
Petrarch - Sonnet 18 |
Neruda - Sonnet 69 |
Speaker - |
Speaker - |
Subject - |
Subject - |
Purpose - |
Purpose - |
Petrarch – Sonnet 28 |
Neruda - Sonnet 89 |
Speaker - |
Speaker - |
Subject - |
Subject - |
Purpose - |
Purpose - |
Speaker – Who is speaking or telling the story in the poem? (include point of view)
Subject – What is the poem about?
Purpose – Why was the poem written? What is main idea this sonnet is trying to express?
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- Use the theme notes to help you identify one of the themes of your novel.
- You may print and then write your responses by hand.
- You may type your responses and then print when it is complete.
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YOU DO NOT HAVE TO DO IT LIKE THIS. However, if you want some structure, here’s some structure!
Aristotle defines tragic heroes as characters of noble stature who, through their personal flaws, known as their hamartia, accidents of fate, and erroneous decisions, bring about their own downfall. These characters incite sympathetic responses from the audience, catharsis, for being well-intentioned characters who, through a reversal of fortune, peripeteia, meet tragic ends resulting in them losing everything they truly valued. These characters also shift from ignorance to knowledge, with the moment of anagnorisis, a dramatic realization of their true state and acceptance of their fault. In the dramas Oedipus Rex by Sophocles and Othello by William Shakespeare, lies, fate, and free will heavily influence the lives of both tragic heroes.
Claim – CATt thesis (CATt is Claim, Author, Title, text type): In the dramas Oedipus Rex by Sophocles and Othello by William Shakespeare, (claim goes here – example for both) lies, fate, and free will heavily influenced the lives of both tragic heroes.
In the dramas Oedipus Rex by Sophocles and Othello by William Shakespeare, (example-fate) lies influenced the inevitable destiny of the tragic heroes.
In the dramas Oedipus Rex by Sophocles and Othello by William Shakespeare, (example-free will) free will and the acts of man propagated lies which dominated the lives of the tragic heroes.
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Pre-write for this essay – up to 30 minutes – remember to include evidence (grounds) from both plays
YOU DO NOT HAVE TO DO IT LIKE THIS. However, if you want some structure, here’s some structure!
Hook – intro the topic: (Include defining the tragic hero & the power of lies)
Claim – CATt thesis (CATt is Claim, Author, Title, text type): In the dramas Oedipus Rex by Sophocles and Othello by William Shakespeare, (claim goes here).
First Warrant (Topic sentence): Oedipus Rex
Grounds (Evidence):
Grounds (Evidence):
Second Warrant (Topic sentence): Othello
Grounds (Evidence):
Grounds (Evidence):
Third Warrant (Topic sentence): (Counterclaims & Refutations Paragraph – defend why your view of the role of fate and free will for each character is the logical and backed up with evidence – remember: there are MANY ways to interpret the text, you are just backing up why yours is logical and not assumptive or a fallacy)
Grounds (Evidence):
Grounds (Evidence):
Concluding thoughts: (tragic heroes, summarize main points, restate claim)
When you use terms from your Aristotle notes, clarify what they mean within the text of your essay.
Reminder: Each example of Grounds should have at least two sentences of meaningful Analysis in your own words that connects the evidence to the ideas presented in the prompt and supports your claim. You do not have to write your Analysis in your outline. You can do that in your essay itself.
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Oedipus Rex and Othello – Essay
(Copy the prompt)
Consider the power of a lie. Oedipus grew up thinking he was someone else’s son and the truth unfurled his terrible destiny. Othello was happy in his marriage until he was plagued by the lies and schemes of Iago. How much of a role did fate play in the fall of each tragic hero? How much was the fall the fault of men? Argue whether, in these plays, it is men’s will and their words which shape the tragic hero’s destiny, the hand of fate, or both. Take into account Aristotle’s definition of what makes a tragic hero.
Review your Aristotle notes and Pre-write for this essay
Include evidence (grounds) from both plays (WGAGA format)
Use transitional words and phrases to maintain cohesion between the differing ideas
Vary your sentence types: mix compound and complex sentences with simple sentences
YOU DO NOT HAVE TO DO IT LIKE THIS. However, if you want some structure, here’s some structure!
- Hook – intro the topic: (Include defining the tragic hero w/ defined Aristotle term(s)& the power of lies)
- Claim – CATt thesis (CATt is Claim, Author, Title, text type): In the dramas Oedipus Rex by Sophocles and Othello by William Shakespeare, (claim goes here).
- First Warrant (Topic sentence): Oedipus Rex
- Grounds (Evidence):
- Grounds (Evidence):
- Second Warrant (Topic sentence): Othello
- Grounds (Evidence):
- Grounds (Evidence):
- Third Warrant (Topic sentence): (Counterclaims & Refutations Paragraph – defend why your view of the role of fate and free will for each character is the logical and backed up with evidence – remember: there are MANY ways to interpret the text, you are just backing up why yours is logical and not assumptive or a fallacy)
- Grounds (Evidence):
- Grounds (Evidence):
- Concluding thoughts: (tragic heroes, summarize main points, defined Aristotle term(s) recap, restate claim)
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Othello (dates & page numbers for 9th edition)
Your homework ‘novel’ is now Othello in your Perrine literature book. You will complete it in two sections (by Nov. 30) p. 1264-1323 and (by Dec. 7) p. 1323-1356.
Homework 12th edition: p. 1293-1353 (Act I – III), p. 1353 – 1385 (Act IV – V)
Do not wait to the last minute to start reading. We will only be discussing and analyzing the Acts in class, not reading them. You will have specific questions about each act. Be prepared.
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Othello (dates & page numbers for 9th edition)
Your homework ‘novel’ is now Othello in your Perrine literature book. You will complete it in two sections (by Nov. 30) p. 1264-1323 and (by Dec. 7) p. 1323-1356.
Homework 12th edition: p. 1293-1353 (Act I – III), p. 1353 – 1385 (Act IV – V)
Do not wait to the last minute to start reading. We will only be discussing and analyzing the Acts in class, not reading them. You will have specific questions about each act. Be prepared.
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James Joyce, “Araby” (p. 186 – new book, p. 437 – old book Perrine’s)
40-minute prompt:
Read “Araby” carefully from the beginning of the story through the end of paragraph 6. Then write a well-organized essay in which you analyze how Joyce creates narrative tone through literary elements such as characterization, selective detail, and imagery.
- dark and bright
- dirty and clean
- noisy and quiet
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- dark and bright
- dirty and clean
- noisy and quiet
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Allusion Homework:
* This week – choose a Biblical Allusion from your hand out on ‘Biblical Allusions and Greco-Roman Myths’.
* Choose one that you do not already know well.
* Look it up online (http://www.kingjamesbibleonline.org/) and read that specific Biblical passage.
* Complete a Dialectical Journal on the biblical allusion passage you chose.
Bring your completed journal to class on Thursday.
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Scene 3 – p. 1243-8
Scene 4 – p. 1248-52
If you finish Scene 3 and 4 early, begin the Exodus, which is the concluding scene of the play. If you do not finish Scene 3 and 4 in class, finish reading it on your own for homework.
Exodus – p. 1252-61 – Finish for HW if not finished in class
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Allusion Homework:
* This week – choose a Biblical Allusion from your hand out on ‘Biblical Allusions and Greco-Roman Myths’.
* Choose one that you do not already know well.
* Look it up online (http://www.kingjamesbibleonline.org/) and read that specific Biblical passage.
* Complete a Dialectical Journal on the biblical allusion passage you chose.
Bring your completed journal to class on Thursday.
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Prologue
Read the Prologue p. 1218-1224 (check page numbers for 12th edition - they're different)
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- You may print it and write on it.
- You may type and print the completed copy.
- Suggested: Print front & back (2-sided copies) to save paper
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Typed Insight Questions - Notes
- Type the prompts and responses in a 12pt. font – Times New Roman
- Print it with blue or black ink only
- 1” margins
- Your heading needs to be typed in the upper right hand corner of the page
- Each paragraph MUST BE indented
- Do NOT skip extra lines between paragraphs
- Double space the responses (not the heading or the prompt question just the responses)
- The title is: Revised Insight Questions
- Type the prompt first (prompt does not count against your word count)
- Type the paragraphs in your responses in standard paragraph form – do not center them, do not justify them
- Include a word count, each prompt response must be 350 words or fewer, no less than 200, and multi-paragraph
Due Date: 10/19/18
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- You must review your English packet with your parent or guardian.
- It must be signed by a parent or guardian.
- It must be dated for the day you had your conference.
- It MUST have your name and period clearly on it.
- Two questions on it need to be answered by your parent or guardian.
- They can write their answers in whatever language they are comfortable with.
- It does not have to be English.
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Gather these papers together, make a packet, and staple them together with your cover sheet on top. The bottom sheet is your Performance and Behavior hand out with my Performance facing out.
The top sheet will be your cover paper – COPY IT NEATLY – you will be graded when this form is complete. Yes, you write EVERYTHING below that isn’t highlighted yellow:
Student Led Conference
Cover Sheet
Fall 2018
12th grade |
9th grade
|
2 Reading Logs |
2 Reading Logs |
1 Wuthering Heights paper (AP only) |
1 Novel Check |
1 Short Writing assignment – your choice |
1 Short Writing Assignment - your choice |
1 Group Work assignment or Novel Check |
CA #1 - Denotation and Connotation |
1 Assignment of your choice |
1 Assignment of your choice |
1 Major Works (AP only) – 1 Novel Check (Per. 3) |
p. 12 from your SpringBoard |
Directions:
- Sit with your parent or guardian
- Explain the work you do in the class
- Review your Performance & Behavior paper (complete it)
- If your parent or guardian has questions about your grade, show your parent or guardian your Schoology app for what you have done, your scores, and anything you are missing.
(Skip 2 lines)
_______________________________ (student name) conferenced with me on: ___________ (date)
The above named is in Ms. Green’s period: __________ English class.
(Skip line)
Parent/Guardian Signature: _________________________
(After October 22, this assignment is considered late)
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Monday 10/15/18 – Peer Review
Peer Review – Insight Questions
- Is the hook interesting? Did it get your attention? If not, how could it be improved?
- Does the response clearly answer ALL parts of the bold faced prompt? Check the question(s) to be sure.
- Are there run-on sentences? Fragments? Awkward sentences?
- Is it personalized giving insight into the writer’s life and own experience? Is it too general and disconnected?
- Circle spelling errors
- Correct capitalization and grammar errors, circle punctuation errors to point them out.
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10/9/18
Insight Questions – Page 1
Draft your response to your first Insight Question
Answer all the prompt questions in for your draft then put it together (Word Count)
10/10/18
Insight Questions – Page 2
Draft your response to your second Insight Question
Answer all the prompt questions in your draft and then put it together (Word Count)
10/11/18
Insight Questions – Page 3
Draft your response to your third Insight Question
Answer all the prompt questions in your draft and then put it together (Word Count)
10/12/18
Insight Questions – Page 4
Draft your response to your final Insight Question
Answer all the prompt questions in your draft and then put it together (Word Count)
Monday 10/15/18 – Peer Review
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Homework & Classwork
Chapter 3: Characterization - p. 142-6 or p. 161-5 Perrine's Literature
Read p. 142-6 (12th edition) or p. 161-5 (9th edition) then in your composition books vocabulary section add the following
Terms:
Characterization – The various literary means by which characters are presented.
Define: direct presentation, indirect presentation, dramatized, stock character, static character, developing (dynamic) character, and epiphany.
Started in class - finish by tomorrow (before class)
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10/9/18
Insight Questions – Page 1
Draft your response to your first Insight Question
Answer all the prompt questions in for your draft then put it together (Word Count)
10/10/18
Insight Questions – Page 2
Draft your response to your second Insight Question
Answer all the prompt questions in your draft and then put it together (Word Count)
10/11/18
Insight Questions – Page 3
Draft your response to your third Insight Question
Answer all the prompt questions in your draft and then put it together (Word Count)
10/12/18
Insight Questions – Page 4
Draft your response to your final Insight Question
Answer all the prompt questions in your draft and then put it together (Word Count)
Monday 10/15/18 – Peer Review
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Writing Topic – “A & P” and “Araby”
Directions: Copy the prompt, answer all of the questions in paragraph form (5 sentences minimum), and include textual references as needed.
The young heroes, Sammy and the narrator of “Araby”, embark upon perilous quests to win the favor of their lady loves. What noble deed did they try to perform for the elegant objects of their affections? Refer to the text. How successful were they in their brave endeavors, and what were the dire consequences of their quests? Were the heroes being noble in their individual quests or selfish? Were the ladies worthy of their heroes’ adore? Explain.
Bonus point: Which literary device(s) did I employ writing this prompt?
Answer: Mock-heroic and Hyperbole
MLA format quote example: When defending the young women, Sammy told Lengel,“‘You didn’t have to embarrass them’” (Updike 624). The narrator told the girl he liked, “‘If I go,’ I said, ‘I will bring you something’” (Joyce 439). (triple quotes were used for dialogue – single around what a character said & double around entire quote)
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- You may print it and write on it.
- You may type and print the completed copy.
- Suggested: Print front & back (2-sided copies) to save paper
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“A & P” Questions p. 376-377 (12th edition)
Discuss in groups, answer on your own paper. Copy & Answer the questions
- Is Sammy a likable, sympathetic character? Why or why not?
- Some of John Updike’s work, including this story, has been criticized for its portrayals of women. Is Sammy’s attitude toward the girls “sexist”? Defend your position.
- Analyze the importance of the setting. Why is a grocery store a significant setting for this story?
- Who is the antagonist of this story?
- Does Sammy have an epiphany anywhere in the story? Locate this moment and discuss its significance.
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Dialectical Journal
The Iliad |
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Author: Homer Page(s): Line(s):
“Direct Quote from the Text” (has to show a theme) |
Response: The theme is _________.
Discussion / Explanation of the theme(s) Questions or other commentary (warrants / analysis)
Fill the page |
New Vocabulary defined in the last 3 lines of the composition book page. (If you did not encounter any new words in that text section, continue your response in this space.) |
Teacher Model:
The Iliad
Author: Homer Page / Lines: p. 70 Lines: 106-10
Quote: “But looking darkly at him swift-footed Achilleus answered: ‘No more entreating of me, you dog, by knees or parents. I wish only that my spirit and fury would drive me to hack your meat away and eat it raw for the things that you have done to me.'” |
The theme in this quote is unbridled rage, namely, the rage of Achilleus (Achilles). He is so angry over the death of his beloved companion, Patroklos, that he cannot speak on honorable terms to Hektor. At the beginning of their duel to the death, Hektor asks for an agreement of terms to take the armor of the loser but return the body of the fallen warrior to their people. Achilleus refuses. He will not bargain with Hektor any more than a wolf would bargain with a lamb. In his hatred and unchecked anger, he cannot even allow an honorable burial for Hektor. To him, Hektor is little more than a dog now. He is so angry he wants to tear him apart and devour him. Of note, it was a belief in ancient Greece that bodies which did not have proper funeral rites, would never have their spirits at peace. This was one of the major issues in Antigone with Polyneices. Those without funeral rites would not be permitted in the underworld. Essentially, by refusing to agree to respect Hektor’s body, when he perished from their fight, he was damning Hektor’s spirit to become a ghost and denying him an afterlife as a hero of Troy. His anger was so strong that he wanted it to torment Hektor even after his death. Is his fiery anger why he was characterized with red hair? I always wondered if Achilles and Patrocles were more than just really close friends. Based on his unquenchable anger against Hector and the way he pouted (refused to fight) when Briseis was taken from him, I’d think they were more than friends because he let his temper completely take over. Perhaps it is a special bond between warriors who fight and die for one another. In the movie, Troy, they were cousins. |
New Vocabulary: Achaians – Greeks Skaian gates – the main gates of Troy Deiphobos – He is one of Hector’s many brothers, who Athena disguised herself as to lure Hector to Achilles. |
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Writing Topic – Beowulf
Copy and answer the prompt in paragraph form. The response should be no less than 5-7 sentences in addition to the quoted evidence. When you quote the text directly, include page and line numbers.
Describe Beowulf both as an ‘epic hero’ and a man. What was he like and was he truly an epic hero (as defined in your notes)? Refer to the text. Did he have a fitting end? Describe the dragon, what was it like. What symbolic purpose did it serve? Refer to the text.
Text evidence format example:
To describe him as an epic hero (use notes from the Beowulf powerpoint for what an epic hero is) and explain how he is a man (such as, he grew old and had to die). Beowulf first introduced himself to Hrothgar stating that, “the days / Of my youth have been filled with glory”, “I drove / Five great giants into chains”, and then begs permission to be the one to defeat Grendel (45 lines 237-8, 248-9, 254-61). His state as a mortal man is clearest in his fall, “a king, before, but now / A beaten warrior. None of his comrades / Came to him . . . they ran for their lives” (56 lines 706-10). Explain / analyze the quotes then transition into his last battle with the dragon. Describe the dragon and what it symbolically represented. Directly, the dragon symbolizes Beowulf’s mortality, that no matter how strong man becomes, eventually they weaken and darkness takes all; however, it represents an opportunity to face death with courage. It describes older Beowulf facing the dragon as, “a journey / Into darkness that all men must make” and younger Wiglaf as willing to face down death for his lord, “crying encouragement . . . he drove through the dragon’s deadly fumes” (56-7 lines 701-2, 703-4). Explain / analyze the quotes.
Note: Period 3 – your page numbers and line numbers will be different. Some of the excerpts do not line up exactly. So you need to use quotes based on the Holt McDougal British Literature book p. 42-70. Remember for MLA format citations it is: (Page lines #) 701-2 to means lines 701-702 not line 701 to line 2. You do not write the word pages or p. or p. #. Follow the model.
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- Use the theme notes to help you identify one of the themes of your novel.
- You may print and then write your responses by hand.
- You may type your responses and then print when it is complete.
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Writing Topic Directions – Title your paper: Writing Topics – “Hunters . . .”
Choose 2 topics, copy them and answer them completely in a paragraph (5-7 sentences)--one on the front of your paper & one on the back of your paper.
Deception: Who was being deceived on the surface and under the surface? Were there any instances of self-deception? How would it have been different if the characters had been more forthright from the beginning?
Unintended Circumstances: Kenny shot the dog. How did that change everything? What could the dog symbolize? How? What did we find out later about the dog? Explain the irony.
Balance of Power: Between Frank, Tub, and Kenny, who had the power? How did he hold on to that power? What was the power shift—who took control? Could the old balance of power be maintained with the new power shift? What had to happen because of it?
The last two sentences the author, Wolff, speaks directly to the audience. The anticlimactic climax is revealed. What is explained figuratively and literally? What is his tone to the audience and about these characters?
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Writing Topic – Elements of Fiction p. 67
Copy the statements for 1-5 and compose 1-3 sentence short answers for each – vary your sentences.
- Differentiate between commercial fiction and literary fiction.
- Explain the purposes of literary fiction.
- Review the different types of short stories.
- Describe the best way to read a short story for the purpose of serious study.
- List the differing expectations we bring to the reading of commercial and literary fiction.
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Due Thursday 8/23/18:
HW Activity – Words to Know: Metonym, Synecdoche, Kenning
- What do these words mean and what are the differences and similarities?
- Use the Internet to help you define the words. However, explain the similarities and differences in your own words.
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Review and discuss the text selections from Open ended Question 3 – 2014 (see attached)
Notes:
- Identify which of the texts you have already read and which ones you may need to focus on this year
Read
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Have Not Read |
- Put a star next to the one(s) on the list you know the best OR a book of comparable literary merit which addresses the prompt
- Note: Antigone often is selected; The Crucible, Scarlet Letter, and A Raisin in the Sun are also not uncommon. Antigone and A Raisin in the Sun should be read in 10th grade and 11th grade should include The Crucible and The Scarlet Letter
- The texts selected are a mix of American and British Commonwealth authors
Review the prompt from 2018 and do the same thing
Notes: Identify which of the texts you have already read and which ones you may need to focus
Read
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Have Not Read |
- Put a star next to the one(s) on the list you know the best OR a book of comparable literary merit which addresses the prompt
Write your heading on a fresh sheet of paper. Title: AP Lit. Prompt 2018
Now, based on the text from the list you know the best to address the 2018 prompt. (see attached)
- Identify the text clearly on your paper – Alias Grace
- Identify the character you will focus on – Grace Marks
- Identify the gift, object or quality that affected the character(s) – A young beauty with a gift for storytelling
- Note the text specific advantages of the gift, object, or quality (bullet point list)
- Note the text specific disadvantages of the gift, object, or quality (bullet point list)
4. Advantages Coping with tragedy Dealing with loss Telling her own story Allowed to work in the governor’s house Holding the audience Creating sympathy during and after her trial Controlling the people around her Influencing the beliefs of others |
5. Disadvantages Deemed a liar Manipulative Difficult to believe Constantly mixes up fantasy and reality Might have been a result of a split personality It was difficult to prove her innocence or confirm her guilt, but she was still imprisoned Ambiguous and unknowable |
- How did it affect the work as a whole? (list the main ideas of its influence on the story)
- Shaped her stories to suit, entertain, or please her audience
- The reader is left unsettled never knowing which version to believe
- While some details in her story were definitely true, lending credibility to her stories, other important issues, such as the murder details, changed or were conveniently forgotten in different retellings.
- Created an ambiguous character because we don’t really know who she is by the end
Due:
Assignment
Due:
Assignment
- You CAN write about them on an AP essay.
- You CAN re-read and review them on your own time to prepare for the exam, but you cannot use the texts you already know well to complete our reading logs or Major Works.
Due:
Assignment
Due:
Assignment
- In English 9 - H, you'll have SpringBoard consumables to take home on Tuesday and a supplemental textbook checked out to take home on Wednesday.
- In English 12 - H, you'll have a Literature textbook to take home on Tuesday, and a supplemental literature textbook, Perrine's Literature (9th edition), will be checked out to take home on Wednesday.
- In AP Literature - you'll have a Literature and poetry book checked out to you on Tuesday. The Perrine's Literature (12th edition) book goes home, and the Perrine's poetry book will be numbered and kept in the classroom to use. A supplemental Prentice Hall literature book will be checked out from the library to take home next Wednesday.
- You can take the poetry book home, if you wish, and bring it back on assigned days. I recommend that you cover your book to protect it and help you identify it.
Due:
Assignment
Due:
Assignment
- In English 9 - H, you'll have SpringBoard consumables to take home on Tuesday and a supplemental textbook checked out to take home on Wednesday.
- In English 12 - H, you'll have a Literature textbook to take home on Tuesday, and a supplemental literature textbook, Perrine's Literature (9th edition), will be checked out to take home on Wednesday.
- In AP Literature - you'll have a Literature and poetry book checked out to you on Tuesday. The Perrine's Literature (12th edition) book goes home, and the Perrine's poetry book will be numbered and kept in the classroom to use. A supplemental Prentice Hall literature book will be checked out from the library to take home next Wednesday.
- You can take the poetry book home, if you wish, and bring it back on assigned days. I recommend that you cover your book to protect it and help you identify it.